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魔鬼的陷阱

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4.0 较差

分类:劇情片 其它 1962

主演:Vítezslav Vejrazka 米羅斯拉夫· 

导演:法蘭提塞·維拉席 

剧情简介

《魔鬼的陷阱》是由知名导演法蘭提塞·維拉席 执导的一部劇情片,Vítezslav Vejrazka 米羅斯拉夫· 等倾情出演,该片讲述了:  In th e time of Counter -Reformation, a miller and his son come under investi gation by  a priest of the Inquisition, w hen rumors s pread tha t their prospe rity c  omes  from work ing wit h the Devil.  The Devil's Tr  ap is a film  directed by Fran tišek Vlá?il, based on a novel by Alfréd Technik,   adapted by František  A. Dvorák and Mil  oš Kr atoch víl. It was the fi rst of three historical dr amas t hat Vlá?il made dur ing the  Czec h New Wave (tech  nically he i sn't really a part  of t he N ew Wave, however these films were mad e during the same e ra of artistic freedo m), preceding  his more  well k nown Marketa Lazarová (1967)  and Valley o  f the Bees (1968).  S et in th e late 16th Century during the Catholic Reformation,  in the Mor avian Karst, situated in what is now the Eastern Czech Republic, it tells the tale  of a miller (Vítezs lav Vejrazka), and h is son Jan (Vít Olmer), who  come under  suspicion and are investigate d by a Jesui t priest of th e Inquisitio n (Miroslav Machách ek), when rumors of  witchcraft are spread by th  e loca l regent (Ce stmír Randa ), who i s jealo us of the miller 's prosp erity and   degree of respect amo ng the local populace.   As expected  from  Vlá?il, this film is a stunning e  xperience all the way   through. From the opening shot, an ominous manipulation of  perspect ive w ith a clos e up o f a mangled figure of C hrist dominating the foreground a gainst a ti  ny figure in black walking a long the h  orizon, to the br eathtaking c  onfrontational finale inside the va st stalactite fill ed Karst  cave rns, it is a w onderful display of  visual  mastery.  Maybe not  quite as impressive as  Marketa La zaro vá, but still fu  ll of a stonishing imagery. As seen fr om unique angles and distinct points of view which highlight the direc tor 9;s remark able sense of a wareness o f framing, motion, and posi tioni ng on the em  otional  and dramati c tone of the scene. The  most memorable being a repeated shot where the cam  era is susp ende  d and la unche d with speed through the air toward s the mil ler's door.  The story here is a s imple one and I wo  uld say mor e access ible than hi s later works.  With a convention al structure emphas  ized as much b y its pl ot and  characte rs, than by its expressionistic cinematography or authenti c historic  al detail. The event s play out without much surpris e, and t here  is a strong underlyin g, almost  supernatural, mysterious aspect that is left unresolved, i  n fact barely expl ored, which is slight  ly disappointing,  but only because it's so fasci natin g that I wi sh there was more.  Acting is great all around. Particularly the  villains:   Miro slav Mach áchek  as the priest, cast ing a sinister and impo  sing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer bri ngs a cha  risma tic leading  man presence in his  role  as the miller 9;s son Jan, in love  with t he lovely o rphan  girl Martina  (Karla C hadimová ), who  becomes a dangerous object of rivalry between  Jan and ot her young m  en of the village.  The fil m also features  the evocative musi c of Zden?k Liška (perhaps t he most prol ific compose r of the Czech New  Wave  ). In this hi s second of eleven collaborations with Vlá?il, his compositi ons are u sed sparingly, but to great effect , complime nting but never ove rpowering a  scene. The best exa mple o f which can be hea rd in an  ama zingly shot ce lebration and dance sequence a t the e  nd of the se cond act.   The Devil& #39;s  Trap m ight not be a m asterpiece, b ut it is still a strong effo rt, with  a fascinati ng strai ghtforward st ory and a glorious historical setting  captured beautif ully by Vlá?  il 9;s unmi  stakable vi sual prowess . A fine w ork that would also b e the perfect  starte r plate to prepare your self fo  r the challengi ng feast o f Marketa Lazarová or The Vall ey of  the Bees.  It even has an easy to digest running time  . It's therefore puzzling why this gem remains  largely ove rlooked and  ignored.  陆灵蹊眨 了眨眼,很干脆地把当 初在奇怪 岛石殿抢来的黑漆 漆大鼎放到院中,“老祖,您看它到仙级了吗?我筑基中期就 得到它了,一直想打开它,可是  ,结丹的时候打不 开,元婴以后还是打不开。到了化神,我一直忙, 就把它忘  了,您帮我瞅瞅,若是能  用您就用。

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