《最後的科學怪人》是由知名导演Takeshi Kawamura 执导的一部科幻片，Akira Emoto 等倾情出演，该片讲述了： This 1992 Japanese film tell s the st ory of a scie ntist wh o sets out to crea te the new &q uot;super Adam and Eve", humans who canno t be c ontrolled by t heir em otions. O f course, the end res ult it not exactl y what the good doctor expects. comments f rom imdb: Thi s modern tal e of an attempt t o build a creature is o ne of the best "horr or" fil ms ever made, even if its not a ho rror film but s omething else entirely. Cer tainly its on my short list of all time great films . Th is film was introduced to me by someone who told me " ;I h ave this film that probably one o f the bes t films you'll ever see. I t will move you and touch you and m ake you think, b ut if I told y ou what it is and told you how its don e you will think it s th e stupide st thing on the face of it and you won& #39;t watch it." Intrigued I asked what did he mean, and he said, "Well its a Frankenst ein s tory, with a ve ry goofy sort of edge, but wh ich uses i t to its advantage." My ears perked up, and I being a tr usting soul took the tape and wat ched i t. I was blown away. The plot concer ns a mad scientist at temptin g to make a new Adam a nd Eve in the wake of a suic idal pl ague that is ravaging the world. Locked up in his lab his experiments go differently then eithe r he or we expect. Some of it is silly (The bolts in the neck, t he wrestling moves...), all of it is touching and though t provoking. I can not re commend this movie enough . If you are willing to take the film on it s terms and allow it to tell its sto ry then I urge y ou to seek this film out and see it. This is an undiscovered gem that will stay with yo u forever. 15 out of 10 and then s ome. 10/1 0 Al so known as "The Last Frankenstein", this is an e xtraordina ry, impeccably prod uced h orror film. Director Takeshi Kawamura u ses Mary Shelley's novel as a mer e launching p ad for an exploration of subjects as dive rse and fas cinating as the nature of love , desire , suicide, mass hyp nosis, sex, alienation and jealousy. And though the film is dense with s ubtext, it is al so stunningl y photo graphed and rich i n atmosphere and de tail. The performances are all amazing and K awamura';s sensi tive handling o f the stra nge, delic ate relationsh ips between the characters results in an emotionally charged, angst-ridde n tragedy. T he scenes of the con fuse d, tr oubled monster hur tling throug h a fog-shrouded f orest at ni ght are memorable and striking, as is a brillia nt hom e movie-styl e montage of the fi lm9;s more curious characters enjoying a precious afternoon at th e be ach. Kaw amura cre ates resonating visual poetry o f horror and sadness barely sighted since Todd Browning's cl assic &qu ot;Freaks& quot; . Intellig ent, em otional, tra gic and rea l, this is an absolute gem. 9/10 好半晌，他才放 下玉简抬头看向陆灵蹊，“有这事。”他 站起来，走向另一边的 玉架，从上面拿了一枚 蓝玉制成的玉佩，“当初主人觉得， 佐蒙人不会放过天渊七界 飞升的一切生灵，但是人 族寿元就那么多 ，人心复杂 ，他没办法因势力 导，但是妖族却可以。”
