《德拉克的回歸》是由知名导演愛德華·格萊納 执导的一部劇情片，拉多萬·盧卡夫斯基 古斯塔夫·瓦拉赫 艾米麗娅·瓦 等倾情出演，该片讲述了： 與Ste fan Uher和Elo Havatta一樣 ，Eduard Grecner也是60年 代斯洛伐克新 浪潮電影的締造者之一。他的三部影片《一周七天 》（1964 ）《尼絨月亮》（196 5）和這部《徳拉克的回歸》都是斯 洛伐克新浪潮電 影的代表作。這部敘 事方法獨特帶有明顯意識流風格的黑白影片甚至間接影響到了後 來法國導演格裏耶在捷克拍攝的兩部影片《說謊的 人》和《Eden and After》。 A spe cial place in the development of feature films is reser ved for Eduard Grec ner, the creator of jus t one go od film, Dragon Returns (Drak sa vracia, 1967), titled after the nick name of the lea d character . After his initial work with Uher, Grecner made his mark as a propo nent of the so-called & quot;intel lectual" film, the antithes is of th e sociologi cally, or r ather, socially critical film. Grecner& #39;s grea t role mode l was Alan Resnais, a young French film maker who sought to in troduce Slovakia to the idea of fi lm as a labyrinth in which meanings are created not by sto ries, but by complex configurations of dial ogue, sho ts, and variou s layers of time, thus differentiat ing film from b oth litera ture a nd theater. In Dragon Returns―the story of a solitary hero w ho i s nee ded by villager s livi ng far in the m ountai ns, b ut who is rejected by the m at the same t ime because of h is deta chment―G recner brought the tradition of lyricize d prose to lif e through a whole series of formal aes thetic technique s. Alai n Robbe- Grillet immediately developed this idea in the film shot in Bra tislava The Man Who Lies (Slovak: Muz, ktory luze; Frenc h ti tle: L'h omme qui ment; 1968) , and perfected i t in Eden and Aft er (Eden a potom, 1970). 安画轻叹 了一口气， “她在我的面前， 从来没有放开过 ，哪怕喝水，也小心翼翼地只沾 个唇。她和夏正明确关系以 来，表面上，纯阳 宗是得了丹堂的 一些照应 ，但是，以她和夏正的关 系，如果有心，元一百灵丹与骷髅蝗的真正关 系，我觉得，完全可以弄来。”
